Milk Caps

Addicted to Milk (This is nothing to do with milk sorry :p)

Tag: Cat

Milk Caps
▲
Permalink (44 notes)Via: definemotorsports

(via イラストレーション)

Permalink Source: mirocomachiko.com
(via イラストレーション)

(via イラストレーション)

Permalink Source: mirocomachiko.com
(via イラストレーション)

givemeaburger:

Hamsa Gallery of Jewels

Permalink (6,997 notes)Source: givemeaburgerVia: cigales
givemeaburger: Hamsa Gallery of Jewels
Permalink (178 notes)Source: kiteretz--kyotoVia: yellowblog
ZoomInfo
Permalink (2,984 notes) Source: goes54667752 Via: mintyy

7while23:

Sophia Collier, River Under Me, 2012 (Carved Acrylic)

Permalink (46,139 notes)Source: 7while23Via: cigales
7while23: Sophia Collier, River Under Me, 2012 (Carved Acrylic)
Permalink (133 notes)Source: tqamotorcyclesVia: mintyy

heracliteanfire:

Woven split cane hat with curved upturned brim at the back. Made of areca palm-leaf, Arunachal Pradesh, India, early 20th century (via V&A)

Permalink (50 notes)Source: collections.vam.ac.ukVia: yajifun
heracliteanfire: Woven split cane hat with curved upturned brim at the back. Made of areca palm-leaf, Arunachal Pradesh, India, early 20th century (via V&A)
Permalink (3 notes)Via: jjjjustin
Permalink (21 notes)Via: paulguinan
ZoomInfo

hifructosemag:

Beth Cavener Stichter (featured in Hi-Fructose Vol. 16) caught our attention with her raw sculptural style. The artist forms animals by hollowing out blocks of clay, giving her subjects a raw, unrefined appearance as if they sprang from the material itself. In her latest body of work for her second solo show at Claire Oliver Gallery, “Come Undone,” Cavener Stichter refined her aesthetic, creating animal sculptures that are more stylized with deep grooves and glazed with different shades of gray — a departure from her minimally embellished work from the past. Take a look at a few images from “Come Undone,” which opens September 13 at Claire Oliver in New York City.

Permalink (46,438 notes) Source: hifructose.com Via: cigales
hifructosemag: Beth Cavener Stichter (featured in Hi-Fructose Vol. 16) caught our attention with her raw sculptural style. The artist forms animals by hollowing out blocks of clay, giving her subjects a raw, unrefined appearance as if they sprang from the material itself. In her latest body of work for her second solo show at Claire Oliver Gallery, “Come Undone,” Cavener Stichter refined her aesthetic, creating animal sculptures that are more stylized with deep grooves and glazed with different shades of gray — a departure from her minimally embellished work from the past. Take a look at a few images from “Come Undone,” which opens September 13 at Claire Oliver in New York City.
hifructosemag: Beth Cavener Stichter (featured in Hi-Fructose Vol. 16) caught our attention with her raw sculptural style. The artist forms animals by hollowing out blocks of clay, giving her subjects a raw, unrefined appearance as if they sprang from the material itself. In her latest body of work for her second solo show at Claire Oliver Gallery, “Come Undone,” Cavener Stichter refined her aesthetic, creating animal sculptures that are more stylized with deep grooves and glazed with different shades of gray — a departure from her minimally embellished work from the past. Take a look at a few images from “Come Undone,” which opens September 13 at Claire Oliver in New York City.
hifructosemag: Beth Cavener Stichter (featured in Hi-Fructose Vol. 16) caught our attention with her raw sculptural style. The artist forms animals by hollowing out blocks of clay, giving her subjects a raw, unrefined appearance as if they sprang from the material itself. In her latest body of work for her second solo show at Claire Oliver Gallery, “Come Undone,” Cavener Stichter refined her aesthetic, creating animal sculptures that are more stylized with deep grooves and glazed with different shades of gray — a departure from her minimally embellished work from the past. Take a look at a few images from “Come Undone,” which opens September 13 at Claire Oliver in New York City.
hifructosemag: Beth Cavener Stichter (featured in Hi-Fructose Vol. 16) caught our attention with her raw sculptural style. The artist forms animals by hollowing out blocks of clay, giving her subjects a raw, unrefined appearance as if they sprang from the material itself. In her latest body of work for her second solo show at Claire Oliver Gallery, “Come Undone,” Cavener Stichter refined her aesthetic, creating animal sculptures that are more stylized with deep grooves and glazed with different shades of gray — a departure from her minimally embellished work from the past. Take a look at a few images from “Come Undone,” which opens September 13 at Claire Oliver in New York City.

thingsorganizedneatly:

editor’s note: I will be running the Partners & Spade blog until further notice. Not all the posts will be Organized Neatly, but P&S is a really rad company, and I wanted to share. I’m also looking for other art/blog related work in NYC this year.

Cheers, everyone!

—Austin

Permalink (94 notes)Source: partnersandspadeVia: thingsorganizedneatly
thingsorganizedneatly: editor’s note: I will be running the Partners & Spade blog until further notice. Not all the posts will be Organized Neatly, but P&S is a really rad company, and I wanted to share. I’m also looking for other art/blog related work in NYC this year. Cheers, everyone! —Austin
Permalink (1 note)Via: aunt

cadenced:

A woman rode a tricycle laden with foam boxes on a street in Shanghai on February 29 as photographed by Peter Parks and found on Wall Street Journal’s Photos of the Year. 

Permalink (40 notes)Source: cadencedVia: super-million-hair
cadenced: A woman rode a tricycle laden with foam boxes on a street in Shanghai on February 29 as photographed by Peter Parks and found on Wall Street Journal’s Photos of the Year.